Rodrigo Matheus, Coqueiro Chorão, 2014, potted
bamboo plant, 207 x 300 cm, 1 1/2 x 118 1/8 in. Courtesy of the artist &
ibid., London. |
The
13th edition of Frieze London takes place in The Regent’s Park, London from
14–17 October 2015. Frieze London is sponsored by Deutsche Bank for the 12th
consecutive year, celebrating a shared commitment to discovery.
Unrivalled
in quality, range and depth, Frieze London 2015 provides a discerning
perspective on contemporary art, utilising the expertise of leading curators
including Nicola Lees (Curator, 31st Biennial of Graphic Arts, Ljubljana),
Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and Gregor Muir
(Executive Director, ICA, London) across its feature sections and programme.
GUAN Xiao, Sunset, 2012, Installation, Lightbox photo, wood, metal, artificial flowers, reisin, Dimensions variable. Courtesy of the artist & Antenna Space, Shanghai. |
From the emerging to the iconic
For
the 13th edition, 164 galleries from 27 countries will present the work of some
of today’s most significant and exciting contemporary artists.
In
the main section, solo presentations include Camille Henrot (Galerie Kamel
Mennour, Paris); Chris Martin (Anton Kern Gallery, New York); Ken Okiishi
(Pilar Corrias, London); Xu Qu (Almine Rech Gallery, London) and Mary Weatherford
(David Kordansky Gallery, Los Angeles) while, returning to Frieze London, Simon
Lee Gallery (London) presents a sequence of three specially conceived solo
presentations by Valerie Snobeck, Toby Ziegler and Heimo Zobering, changing the
stand over the course of the fair. Other notable presentations include 42
sculptures on a forest of plinths (Hauser & Wirth, London), new works made
by artists in dialogue with architect Luis Barragán’s iconic House and Studio
in Mexico City (Taka Ishii Gallery, Tokyo) and a stand dedicated to Abraham
Cruzvillegas and Jimmie Durham (kurimanzutto, Mexico City) – both of whom will
have significant exhibitions at London institutions during the fair.
Evolving
into the definitive destination for young galleries, the Focus section, advised
by curators Raphael Gygax (Migros Museum, Zurich) and Jacob Proctor (Neubauer
Collegium for Culture and Society, University of Chicago), offers a chance to
discover exciting emerging talents. Solo stands include an historic installation
by recently rediscovered Polish artist Maria Pininska-Beres (David
Radziszweski, Warsaw); a new film installation by Amie Siegel, developing the
themes of her 2014 presentation at the Metropolitan Museum of Art, New York
(Simon Preston, New York); a floor-based ‘water relief’ by young UK talent
Samara Scott (The Sunday Painter, London) and a multifaceted ceramic
presentation by another up-and-coming British artist, Jesse Wine (Limoncello,
London).
Samara Scott, Harvest, Installation View, The
Sunday Painter 2015. Courtesy of the artist & The Sunday Painter. |
The
Live section develops from its critically acclaimed debut to encompass varied
formats, including: portrait sittings with an humorous outcome by Ken Kagami
(Misako & Rosen, Tokyo); an auditorium-based choreography by Edward
Thomasson & Lucy Beech (Southard Reid, London); a re-enactment of Xifopagas
Capilares (1984), a rare work by Tunga (Galeria Franco Noero, Turin and Luhring
Augustine, New York) and an intimate, installation-based encounter by Amalia
Ulman (Arcadia Missa, London). For the first time, Live is also curated by
Raphael Gygax and Jacob Proctor.
Harold Ancart, Untitled, 2015, Oil stick and pencil on canvas on wood panel, artist’s frame 113 x 81 in. Courtesy of the artist and CLEARING, New York & Brussels. |
Sculpture Park
The
Frieze Sculpture Park 2015 comprises 16 new and historical works, set in the
English Gardens between Frieze Masters and Frieze London. Selected by Clare
Lilley (Director of Programme, Yorkshire Sculpture Park) and with free public
access, the Frieze Sculpture Park gives visitors to The Regent’s Park a rare
opportunity to encounter exceptional sculpture and installation art by
international artists in the open air.
Works
for 2015 include: Lock (1976-7), a major installation by Richard Serra, which
Peter Freeman (New York) will be shown for the first time publicly since it was
exhibited at the Whitney Museum in 1976; Anri Sala’s Holey Wall (Should I Stay
or Should I Go) (2014-15), remade for Frieze together with live performances originally
commissioned for the 12th Havana Biennial (Galerie Chantal Crousel, Paris &
Marian Goodman Gallery, London); a new solar-powered sound and light work by
Haroon Mirza (Lisson Gallery, London); Earth Play (1979), Seung-Taek Lee’s
monumental balloon model of the earth (Gallery Hyundai, Seoul); Open Screen
(2014) by Carol Bove (David Zwirner, London) and an impressive 11th-14th
Century AD pre-Ekoi monolith from Western Africa (Didier Claes, Brussels).
For
the third year the Art Fund, the national fundraising charity for art, will
develop a dedicated app for the Sculpture Park with detailed information on
each of the sculptures and an audio guide by curator Clare Lilley.
Frieze Artist Award
The
winner of the second Frieze Artist Award, also supported by LUMA Foundation and
which invites an artist to create a site-specific artwork at Frieze London
under the auspices of Frieze Projects, is Rachel Rose. Based in New York, Rose
will create a scale-model of the fair structure, in which lighting and sound
design will simulate the sonic and visual sense frequencies of animals
inhabiting The Regent’s Park. Concurrent with the fair, Rose is the subject of
a solo exhibition at London’s Serpentine Gallery (1st October — 8th November
2015).
FURTHER INFORMATION
frieze.com.
Facebook,
Twitter @FriezeLondon and Instagram @FriezeArtFair. (#Frieze).
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