Collier
Schorr, Angel Zinovieff (Felt, Fingers, Socks), 2021, © Collier Schorr,
courtesy 303 Gallery, New York.
Paris+
par Art Basel will take place at the Grand Palais Éphémère from October 20 to
23, 2022
•
Paris+ par Art Basel’s sector for site-specific projects Sites will present
over 20 publicly accessible works and interventions in emblematic settings
throughout the city
•
‘La Suite de l'Histoire’, an exhibition curated by Annabelle Ténèze, Director
of Les Abattoirs, Musée - Frac Occitanie Toulouse, will go on show in the
Jardin des Tuileries – Domaine national du Louvre and the musée national
Eugène-Delacroix as part of Sites
• A
site-specific installation by Alicja Kwade – the artist’s largest to date –
will be on view on Place Vendôme
•
Omer Fast will present his multilayered installation ‘Karla’ in the Chapelle
des Petits-Augustins des Beaux-Arts de Paris
• A
dynamic program of Conversations, curated by Pierre-Alexandre Mateos and
Charles Teyssou, will take place at the Bal de la Marine, a docked boat next to
the Eiffel Tower
Sites
is dedicated to artistic projects taking place in the heart of Paris. For its
first edition, Sites will take place in iconic settings throughout the city,
including the Jardin des Tuileries – Domaine national du Louvre, as well as
Place Vendôme, musée national Eugène-Delacroix and Chapelle des
Petits-Augustins des Beaux-Arts de Paris.
Clément
Delépine, Director, Paris+ par Art Basel says: ‘I am truly delighted with the
scale and ambition of our inaugural edition of Sites and the vibrant
Conversations program. Both sectors are accessible to all, extending our
programming throughout the city to a broad audience beyond our fair visitors.
While Sites and Conversations take place outside of the fair premises,
conceptually they sit at its very center, providing new impulses to
contemporary cultural discourse.’
Andréhn-Schiptjenko,
Cajsa von
Zeipel Double Dose of Zen, 2021, Courtesy the artist and Andréhn-Schiptjenko.
Sites at the Jardin des Tuileries –
Domaine national du Louvre and at musée national Eugène-Delacroix
Organized
in collaboration with the Musée du Louvre and curated by Annabelle Ténèze,
Director of Les Abattoirs, Musée - Frac Occitanie Toulouse, the exhibition
titled ‘La Suite de l'Histoire’, brings together large-scale works in the
scenic grounds of the Jardin des Tuileries and a solo project by artist
Thaddeus Mosley in the landscaped garden at the musée national
Eugène-Delacroix.
The
exhibition examines the multi-layered history of the Jardin des Tuileries,
including its political and public dimensions, through the work of artists
whose practices often subvert and reimagine the role of art in the public
realm. Set in a place in which history, architecture and nature converge, the exhibition
invites visitors to revisit the gardens in a new way.
Annabelle
Ténèze, Paris+ par Art Basel Curator of Sites at the Jardin des Tuileries –
Domaine national du Louvre and at the musée national Eugène-Delacroix, says:
‘La Suite de l'Histoire’ brings together contemporary creations linked to new
artistic practices in the public space. In the Jardin des Tuileries, a place of
history, a space of nature in the city and a popular attraction, and in the
musée Delacroix, over 20 works emancipate themselves from the tradition of
monumental elevation and question the narratives in suspense. The artists,
proposing alternative monuments, turning the forms of sculpture upside down or
inhabiting the garden in a different way, reveal the possible continuations of history;
‘La Suite de l'Histoire’.
Laurence
des Cars, Présidente-Directrice of the Musée du Louvre says: ‘I am thrilled
about this inaugural exhibition, which reflects an emboldened presence of
contemporary art in the Tuileries, and is embedded in the renewal of our
autumnal sculpture project in the gardens. Since the 17th century, the garden
has been a place for the public and for creativity. Annabelle Ténèze, whose
work at the musée d’art contemporain de Rochechouart and the Abattoirs in
Toulouse I have followed closely, has perfectly mastered the technical and
curatorial challenges at hand to propose an exhibition that features works by
artists from different generations and backgrounds. The Tuileries garden, like
the Louvre and the musée Delacroix, is a place filled with life in all its
forms. With this exhibition, we will be able to write 'La Suite de l'Histoire'
together.’
 |
Esther Schipper, Simon Fujiwara, Liberté for Who?, 2022,
Courtesy the
artist and Esther Schipper, Berlin. |
Highlights include:
•
Danish artist Nina Beier's ‘Guardians’ (2022), an installation of four toppled
marble lions laying on the ground and covered with patches of seeds, attracting
the garden’s birds. The work is presented by Croy Nielsen and Standard (Oslo).
• An
installation by Mexican, New York-based artist Raúl de Nieves, composed of
three beaded sculptures and titled ‘Musicians’ (2020) presented by Morán Morán,
Company Gallery, and Fitzpatrick Gallery.
•
French American artist Niki de Saint Phalle's sculpture ‘Blue Obelisk with
Flowers’ (1992) presented by Georges-Philippe & Nathalie Vallois.
•
‘The Green Pavilion’ (2022) by French architect and artist Odile Decq, an
homage to the Renaissance greenhouse as a space for protection of rare species
and social interaction, presented by Galerie Philippe Gravier.
•
German artist Judith Hopf’s ‘Phone User 4 (outdoor)’ (2022), a concrete sculpture
of a human-sized figure holding a smartphone, addressing the fraught
relationship between people and their mobile devices
• A
sculpture by Austrian artist Franz West titled ‘Lemurenköpfe (Lemure Heads)’
(1992/2000), first displayed at documenta IX in Kassel in 1992 and presented by
David Zwirner.
The
applications for Sites at the Jardin des Tuileries were open to all galleries,
irrespective of their participation in Paris+ par Art Basel.
The
exhibition will continue at the musée national Eugène Delacroix, which will
host a presentation of works by African American artist Thaddeus Mosley,
marking the sculptor’s first solo museum exhibition in France. Mosley
introduces an installation comprising recent sculptures, ranging in size from
miniature to monumental. Heavily carved pieces are balanced against one another
in multi-part sculptures, which are contrasted by smaller, mask-sized, tabletop
sculptures. Mosley's work is presented by Karma.
Sites
at Place Vendôme
At
Place Vendôme, German-Polish artist Alicja Kwade will present ‘Au cours des
Mondes’ (2022), curated by Jérôme Sans. This new installation, her largest to
date, is a set of
spheres,
a recurring motif for the artist, in dialogue with infinite staircases. A
veritable initiatory journey in the public space, the installation questions
our relationship to knowledge, the universe, and the mechanisms of power. The
work is presented by kamel mennour.
 |
Galerie Isabella Bortolozzi, Seth Price, I DON’T MISS MY MIND, 2022, Courtesy
the artist and Galerie Isabella Bortolozzi, Berlin.
|
Sites at Chapelle des Petits-Augustins des
Beaux-Arts de Paris
Omer
Fast's exhibition ‘Karla’ (2022) will be on view at Chapelle des
Petits-Augustins des Beaux-Arts de Paris. It features a holographic projection
exploring the eponymous character’s job for a big tech company, as well as
ghost-like sculptures and copies of Max Beckmann's self-portrait. Together,
these elements respond to the 16th-century sculptures permanently on view in
the chapel, exploring the inherently ambiguous nature of concepts such as
authenticity, time, and reality. 'Karla' is presented by gb agency.
The
Sites sector is supported by David Yurman, a celebrated American jewelry
company founded in New York by David Yurman, a sculptor, and his wife, Sybil, a
painter and ceramicist – both proud benefactors of the arts.
Evan
Yurman, President of David Yurman says: ‘We are pleased to partner with Paris+
par Art Basel in their inaugural year to support their public art project
‘Sites’ in Paris – a city that, like our hometown of New York, is defined by
art and artists. We at David Yurman feel connected to the city’s history, its
people, its art, and are excited to be a part of this project with Paris+ to
help amplify the French capital’s artistic roots.’
For
the full list of artists and galleries featured in Sites and further information,
visit parisplus.artbasel.com/galleries/sites.
From
October 20 to 23, students from the École du Louvre will be available between
3pm and 5.30pm at all four locations of the sector to guide visitors.
Conversations
Curated
by Pierre-Alexandre Mateos and Charles Teyssou, and located in the atmospheric
Bal de la Marine, a docked boat next to the Tour Eiffel, the Conversations
program features 32 speakers across nine panels, bringing together leading
artists, gallerists, collectors, curators, museum directors, and critics.
Topics range from what erotic counter-readings of art history the queer art
scene can offer to a discussion on how Pan-Africanism as an aspiring poetic and
decolonial movement is being revitalized by a new generation of DJs, fashion
designers and artists.
Further
Conversations highlights include: • 'What’s Next for the French Art Market?'
with gallerists Mariane Ibrahim, Thaddaeus Ropac, and High Art’s Romain
Chenais. Moderated by Farah Nayeri, Culture Writer at The New York Times
•
'Artists' Influencers' with artist Hervé Télémaque, author Françoise Vergès,
and Hans-Ulrich Obrist, Artistic Director, Serpentine Galleries
•
‘Sex and Art along the Seine’: with artist Tarek Lakhrissi, author Bruce
Benderson, and Mathieu Potte-Bonneville, Director, Departement culture et
creation, Centre Pompidou. Moderated by independent curator Juliette Desorgues
• 'Dandyism in the 21st Century?' with artist and gallerist Emily Sundblad,
playwright, producer, writer and actor Jeremy O. Harris, film and theatre director
Ulrike Ottinger. Moderated by Luca Lo Pinto, artistic Director MACRO, Rome.
Running
from October 20 to 22, Conversations is free to the public and will be
livestreamed on Art Basel's Facebook channel. The program will be held in
English and French with simultaneous
translation. For further information please visit
parisplus.artbasel.com/conversations.
Galeries Émergentes Dedicated to
emerging galleries across the globe, Galeries Émergentes will feature 16 solo
presentations. Exhibitors include Antenna Space from Shanghai, Instituto de
Visión from Bogotá and New York, LC Queisser from Tibilisi, Marfa' from Beirut,
Parliament from Paris, Galeria Dawid Radziszewski from Warsaw, sans titre
(2016) from Paris, and Veda from Florence. Supported by groupe Galeries
Lafayette, one artist from Galeries Émergentes will be chosen by a specially
appointed jury to exhibit at Lafayette Anticipations the following year. The
Lafayette Prize rewards the artist as well as the gallery who will be
reimbursed its participation fee. For the full list of exhibitors in Galeries
Émergentes, please visit parisplus.artbasel.com/galeries-emergentes.
About
Art Basel Founded in 1970 by gallerists from Basel, Art Basel today stages the
world's premier art shows for Modern and contemporary art, sited in Basel,
Miami Beach, Hong Kong and Paris. Defined by its host city and region, each
show is unique, which is reflected in its participating galleries, artworks
presented, and the content of parallel programming produced in collaboration
with local institutions for each edition. Art Basel’s engagement has expanded
beyond art fairs through new digital platforms and a number of new initiatives
such as the Art Basel and UBS Global Art Market Report, Intersections: The Art
Basel Podcast and the BMW Art Journey. Art Basel's Global Media Partner is The
Financial Times. For further information, please visit artbasel.com.
About Annabelle Ténèze
Annabelle
Ténèze (1979) is Chief Curator of Heritage and Director of Les Abattoirs, Musée
- Frac Occitanie Toulouse since 2016. She was first curator in charge of the
graphic arts cabinet at the Musée national Picasso-Paris (2006 to 2012). She
then became director of the Museum of Contemporary Art of the Haute-Vienne -
Château de Rochechouart from 2012 to 2016. There she organized many monographic
exhibitions (Jules de Balincourt, Eduardo Basualdo, Raoul Hausmann, Kent
Monkman, Laure Prouvost, Carolee Schneemann, etc.). In les Abattoirs, she has
organized, among other, exhibitions that combine both contemporary art and
history, such as Medellín. A Columbian History, Picasso and Exile. An History
of Spanish Art in Resistance, Revue noire. A History of African Contemporary
Arts or La Déconniatrie. Art, exile and Psychiatry around Francois Tosquelles.
This fall she will curate ‘Niki de Saint Phalle. The 1980s and the 1990s. Art
Running Free’ at Les Abattoirs. Ténèze has edited and published on artists
emerging in the 60s in several catalogs such as Marion Baruch, Jacqueline de
Jong, Roy Lichtenstein, ORLAN, Peter Saul, Daniel Spoerri, and Tom Wesselmann.
About Pierre-Alexandre Mateos and Charles
Teyssou
Pierre-Alexandre
Mateos (1989) and Charles Teyssou (1988) are a duo of curators and writers
based in Paris. In addition to curating the Conversations sector of the
inaugural edition of Paris+ par Art Basel, they are currently working on Paris
Orbital, a live program at Bourse de Commerce – Pinault Collection and the
ongoing archives Arles Terminal City, LUMA Foundation, Arles. They recently
co-curated with Kevin Blinderman an exhibition dedicated to the dandy figure of
Jacques de Bascher at the Kunsthalle Bern and Treize, Paris. They were
the editors-in-chief of L’Officiel Art and contribute to Mousse Magazine,
Spike, and Double Magazine.
Selection Committee of Paris+ par Art
Basel
Florence
Bonnefous, Air de Paris, Paris
Ellen
de Bruijne, Ellen de Bruijne Projects, Amsterdam
Daniel
Buchholz, Galerie Buchholz, Cologne, Berlin, New York
Anton
Kern, Anton Kern Gallery, New York
Niklas
Svennung, Galerie Chantal Crousel, Paris
Georges-Philippe
Vallois, Galerie Georges-Philippe & Nathalie Vallois, Paris
Christophe
Van de Weghe, Van de Weghe, New York
The
experts for the Galerie Émergentes sector:
Isabelle
Alfonsi, Marcelle Alix, Paris
Mark
Dickenson, Neue Alte Brücke, Frankfurt
Simone
Subal, Simone Subal Gallery, New York
Partners
Paris+
par Art Basel’s Associate Partners are Louis Vuitton and Tezos, with Audemars
Piguet as Show Partner. Paris+ par Art Basel is also supported by David Yurman
as Official Partner of Sites, groupe Galeries Lafayette as Official Partner of
the Galeries Émergentes sector, BMW as Official Automotive Partner and Vitra as
Official Furniture Partner.
The
Show's Host Partners are Sanlorenzo, Lalique and Guerlain with Maison Ruinart
as Official Provider. For more information, please visit artbasel.com/partners.
Paris+
Media Partners include Art Basel's Global Media Partner The Financial Times,
Beaux Arts Magazine, Connaissance des Arts, Le Journal des Arts, Le Quotidien
de l'Art, Numéro art, L’OEil and The Art Newspaper.
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